Category Archives: Intuit

Current and Upcoming Exhibitions

As August winds down, galleries and museums are gearing up for the fall. Some of the interesting current and upcoming shows featuring work by self-taught artists include:

Sam Doyle / Dr. Crow / c. 1980-1985 / Housepaint on tin / 42.5 x 26.5 in.

Into the Mainstream: Self-Taught Artists from the Garbish and Gordon Collections,” at the Chrysler Museum of Art, Norfolk, Virginia, on view through December 31, 2011. This exhibition, organized in conjunction with Old Dominion University, considers the position of self-taught and folk artists with the narratives of art history.

You Better Be Listening: Text in Self-Taught Art,” on view at Intuit: The Center for Intuitive and Outsider Art, Chicago, through January 14, 2012. Highlighting the multiple uses of text in works of outsider art, “You Better Be Listening” draws on works by Howard Finster, Sister Gertrude Morgan,  Dwight Mackintosh, and Royal Robertson.

Seeing Stars: Visionary Drawing from the Collection,” at the Menil Collection, Houston. Organized around works by artists who had little contact with the mainstream art world, “Seeing Stars” will include drawings by Charles A.A. Dellschau, Bill Traylor, Adolf Wölfii, and Joseph Yoakum, among others. Opening September 23, 2011, the exhibition will remain on view through January 15, 2012.

Simply Iconic,” a selection of works by artists including Sam Doyle, Herbert Singleton, and Purvis Young, on view at La Luz De Jesus Gallery, Los Angeles, from September 2 through October 3, 2011.

Minnie Evans: Paintings and Drawings,” at Luise Ross Gallery, New York.  On view from September 8 to October 29, 2011, this show will feature works spanning four decades of the artist’s career.

Intuit sends works from their Henry Darger Room Collection to Tokyo

Henry Darger / Spangled Winged Tuskorhorian Blengin / n.d. / Watercolor, carbon tracking, pencil on paper / 14 x 17 in. / Photo courtesy of Phyllis Kind Gallery, New York

Intuit: The Center for Intuitive and Outsider Art is loaning works from their Henry Darger Room Collection to a museum in Tokyo. Darger’s body of work addresses disaster and warfare, and his art is marked by an aesthetic beauty that transcends the tragedies depicted. I wonder how his work will be received in the wake of the recent earthquake and nuclear meltdown that have devastated Japan?

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